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Character Spotlight – Judge Dredd


I’ve decided to create a new series of posts based on famous (and not so famous) characters from various comics we all enjoy. The first character spotlight goes to one of the biggest comics icons of the United Kingdom – JUDGE DREDD.

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The Development of Judge Dredd

Created in 1977 by writer John Wagner and artist Carlos Ezquerra, Judge Dredd is one of the most prominent characters featured in the comics publication 2000 A.D. – a sci-fi pulp magazine similar to Heavy Metal. He is currently the longest re-occuring character in the magazine, appearing regularly since the 2nd issue. Judge Dredd was developed from Wagner’s idea of a lawman similar to Dirty Harry set in the distant future, with the ability to deliver instant justice through ultra violent means. The character’s signature look with his hard-set riot helmet, stomper boots and armored heavy epaulets was developed by Carlos Equerra, who was given an image of David Carradine as Frankenstein from Death Race 2000 as reference.

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Plagued by a series of problems that would eventually lead to the temporary departure of Wagner, Judge Dredd found itself in the hands of Peter Mills and artist Mike McMahon for the first ‘real’ issue. The story had been modified heavily by Mills from the original introduction, setting Dredd in a future version of New York City where he had the ability to act as judge, jury and executioner as needed. His hard-line attitude allowed him to exact harsh punishments on criminals, and the basis of the series was born.

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Annoyed that the character was redrawn and reimagined, Ezquerra quit and resumed his work for Battle. Wagner returned to writing stories for Judge Dredd again after the 9th episode, and his dark style became the model for all subsequent stories. Wagner would write the majority of the stories from 1980 to 1988, and collaborated at times with Alan Grant.

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In 1990, Judge Dredd received his own title – Judge Dredd Megazine. Wagner left 2000 A.D. to assume the primary writing duties for the new publication, and left the stories in the original to be handled by Garth Ennis, Mark Millar, Grant Morrison and John Smith. Unfortunately, their vision of Judge Dredd paled in comparison to the imagination of its original creator, and Wagner returned to write for 2000 A.D. in 1997, after years of sagging sales of the flagship title.

Currently, some of the stories have been written by Gordon Rennie, in the same dark, gritty style of Wagner. It is believed that Rennie will take over the writing duties full-time once Wagner retires and Rennie has established himself amongst fans.

About Judge Dredd – the Character

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Joe Dredd is actually a clone of a ‘Chief Judge’ by the name of Eustace Fargo. He is the most famous of the elite corps of Street Judges within Mega-City One, and as a law enforcing Judge, has the ability to sentence and execute criminals under the guise of the law. Dredd travels via his “Lawmaster” motorbike – a high-tech machine equipped with state-of-the-rt weaponry and artificial intelligence. His main weaponry includes a special issue “Lawgiver” handgun with a DNA imprint and the ability to fire a variety of bullet types. Dredd’s uniform is standard issue, with a riot helmet that obscures his entire face with the exception of his mouth and trademark jutting chin, large brass epaulets (one with the Eagle of justice) a large brass badge attached to a chain link, and the Judge’s signature stomper boots.

Judge Dredd’s face has never been shown in an issue of 2000 A.D. or the Megazine. Although it was established that Dredd was a clone of Judge Fargo, it was never stated if he resembled Fargo in terms of appearance. Judge Fargo’s full face is shown in later issues, but Dredd is never fully seen by the viewer, even when his helmet is off or broken.

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In one story arc entitled ‘The Dead Man,’ Judge Dredd is drawn badly burned and in the City of the Damned storyline, he is fitted with bionic implants for eyes.

‘I am the Law’

Much like Schwarzenegger, Stallone and other action heroes, Dredd has his own catchphrase  – I am the Law. As a Street Judge, he is a living personification of the law, and exacts swift justice against those who clearly oppose it. The line, which proved to be extremely popular to fans due to its straightforward delivery and the truest representation of the character, that it became a signature.

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The Old Man

Since the stories in 2000 A.D. are supposed to be set in ‘real-time,’ Judge Dredd is presumably over 60 years of age. Even though he is treated with longevity therapy to maintain his active abilities, in later issues and stories, Dredd appears to suffer from the burden of old age. Currently, there are newer Judges who are being groomed to take Dredd’s place (Judge Giant, Judge Rico), but is has never been determined if Dredd will actually be retired by writer Wagner and Rennie in the future (speculation of Wagner’s impending retirement helped fuel this idea). Although newer stories have Dredd fully aware that his time is coming due, to this day there have not been any indicators as to when this may occur, if at all.

He was diagnosed with cancer, but due to the story being set in the future, and possible cure could be concocted to fit within the storyline. Will Judge Dredd retire, die of cancer or keep going? The future is unclear.

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Stay tuned for future spotlight posts on our favorite comic book characters, their creative origins and their backgrounds!

Who do you think should be featured in the next character spotlight? If you have a character request, drop me a line and tell me who you’d like to see!

Posted by on December 22nd, 2009 No Comments

Artist Spotlight: Jim Lee


When I was growing up, I recall taking one look at Jim Lee’s style, and aspired to become a comic book artist with his level of efficiency and precision in his artwork. His runs on Marvel Comics X-Men, Image Comics Wild C.A.T.s and DC Comics Batman: Hush are some of his best known works. Have a look at this gallery of Jim Lee’s work throughout his career.

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Lee created an instant chemistry between the young and naive Jubilee and the gruff, overprotective Wolverine during his run as the lead penciller in his own XMen title with Chris Claremont.

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The famous pull-out cover of X-Men #1. This image is one of Lee’s most iconic works.

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Aboveare some samples of Jim Lee’s DC comics works – note the level of precision and how dynamic his characters look. Below are some samples from his Image comics days.

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It’s hard to believe that an artist of this caliber almost took a career path in psychology. Jim Lee started off as a fill-in artist for Marc Silvestri on the Uncanny X-Men title, and it became permanent after Silvestri left in 1989. By 1991, fans were so taken by his work, that Marvel launched a new line simply titled X-Men which featured Lee’s work and the writing of Chris Claremont. After Claremont left due to a working disagreement, Lee continued on until 1992 until he left Marvel with a group of artists to form Image Comics.

While under the Image Comics umbrella, Lee formed a series of titles called Wildstorm Productions, featuring his flagship title – WildC.A.T.s. For years, Image was criticized for its lacklustre story telling and its style over substance approach during the 90s. Lee managed to concentrate on publishing a number of critically acclaimed series such as The Authority (Ellis/Hitch) and Planetary (Ellis/Cassaday).

Lee finally sold Wildstorm to DC Comics in 1998 and returned to his role of illustrator on titles such as Batman – where he was involved in the 12 issue storyline entitled Batman: Hush.

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After the Batman run, he worked on Superman for awhile on the ‘For Tomorrow’ story arc, and also teamed up with Frank Miller in 2005 for the oft-interrupted All Star Batman and Robin the Boy Wonder series.

He was currently commissioned to oversee the art for DC Comics online RPG game as the creative director.

You can check out his work at some of these links:

Jim Lee Cover Gallery
Gelatometti – a blog with numerous artists including Lee
DeviantART gallery

I personally encourage you to pick up anything Jim Lee has worked on in the last 20 years. You wont be disappointed.
I’ll leave you with a video of Jim sketching Wolverine in his trademark style at the NYC comic con this year.

Posted by on December 18th, 2009 4 Comments

Tutorial: Various Video Tutorials


Going back through the archives, you’ve seen and read about ways to develop your own comics. In this post, I will be showing a group of videos on how other artists create their print and webcomics. Some have commentaries, others are tutorials. Many of the techniques I have mentioned in earlier posts apply, with the artists personal workflow methods injected into the core process.

Here are a few examples:

This first video is done by EXTRA LIFE webcomic creator Scott Johnson. He talks about how he developed this particular webcomic strip about the joys of late Christmas shopping. Scott offers a number of time-saving tips while he discusses certain aspects of his process during this time-lapse video.



In this three-part video series, Brett Lamb from LessonBucket decribes the process used in creating a Frank Miller “Sin City” noir-styled comic book. The process is very easy and effective for creating a comic book, using mainly photo reference and Photoshop techniques. There is no actual drawing involved, but this style works if you are looking to create something hand drawn and are wondering about the effects of light and shadows.


This quick tutorial by master illustrator Jay French shows you how to plan out a panel layout and sketch simple blocked in characters prior to creating a full blown comic.


The tutorial by Xia Taptara of idrawgirls is an advanced tutorial which requires a bit of drawing skill. This is more of a commentary while drawing rather than a step-by-step tutorial. Xia shows you some techniques using construction lines and poses.


From the DVD based on the best selling book “How to Draw Comics the Marvel Way” Stan Lee and artist Jim Lee explain how to draw individual parts for characters in comics – foreshortening, perspective, musculature and process are all explained.

I hope you learn something new from this series of videos. I’ll be back with some written tutorials later on in the week to add to your knowledge base. Until then, check out some of these other tutorials from the archive.

Posted by on December 2nd, 2009 No Comments

TWILL: The World of Illustration – November 2009


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It’s been a long time since I’ve done one of these – and I’ve decided now that the main focus of the site has shifted towards comics related content and less of illustration, that I would put out a TWILL post at the end of every month with the best links from that period. Comic book artists can gain a lot of info from digital illustrators and Photoshop tutorials, so I don’t plan on scrapping TWILL any time soon. There’s a gold mine of goods out there that I’d like to share – check this out…

01
Working With Client Changes While Working on a Hippie Bus

02
Dodie Smith Illustrations

03
15 Hi-Res Photoshop Brushes

04
GLENNZ Tee-Shirt Designs

05
Cosmetic Bottle Illustration Tutorial

06
Emanuelle Walker Illustration

07
Social Network Icons – Ice Cubes – Free Download

08
The Concert Ticket

09
Super Heroes and Villains – Alphabet

10
Deskartes Mil – Vintage Illustration

11
Allan Sanders Superheroes

12
BlackYard Illustrator Collective

13
Work In Progress – a WIP drawing process Blog

14
How to Create an Eagle Head Sticker

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Creattica Poster Gallery

So there it is – some of the latest and greatest from the month of November. There’s a sampling of tutorials, some free downloads, and even some comic book characters and artwork as well. Next month we’ll bring TWILL back with some of the cool finds from December.

If you have any inspiring links you check out on a regular basis, leave me a comment and a link so I can check it out for myself and introduce it into the next set of TWILL updates!

Keep checkin in!

Posted by on December 1st, 2009 No Comments